Listing 1 - 10 of 155 | << page >> |
Sort by
|
Choose an application
Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Latimer argues that Grandison must be recognised as Richardson's final word on his re-envisioning of the gendered self. She calls for a rigorous rereading of the novel as a basis for reassessing Richardson's fictional oeuvre that has implications for fresh thinking about the eighteenth-century novel.
Choose an application
What does the story of Robinson Crusoe have to do with understanding past and present women’s lives? The Female Crusoe: Hybridity, Trade and the Eighteenth-Century Individual investigates the possibility that Daniel Defoe’s famous work was informed by qualities attributed to trade, luxury and credit and described as feminine in the period. In this volume, Robinson Crusoe and the female castaway narratives published in its wake emerge as texts of social criticism that draw on neglected values of race and gender to challenge the dominant values of society. Such narratives worked to establish status and authority for marginalised characters and subjects who were as different, and as similar, as Defoe’s gentleman-tradesman and Wollstonecraft’s independent woman. The Female Crusoe goes on to address the twentieth-century engagement with the castaway tale, showing how three contemporary authors, in their complex and gendered negotiations of power and identity, echo, even while they challenge, the concerns of their eighteenth-century predecessors. This work will be of interest to students interested in literary engagements with individualism and women’s rights in the eighteenth and twentieth centuries.
Gender identity in literature. --- Defoe, Daniel, --- Robinson Crusoe (Defoe, Daniel)
Choose an application
Characters --- Ophelia --- Gender identity in literature. --- Ophelia. --- Shakespeare, William.
Choose an application
In this innovative work, Joanne D. Birdwhistell presents the first gender analysis of the Mencius, a central text in the Chinese philosophical tradition. Mencian philosophy, particularly its ideas about the processes by which a man could develop into a cultivated gentleman, was important to the political thought of China's long imperial order. Through close textual readings, Birdwhistell offers a new interpretation of core Mencian ideas about the heart and the self-cultivation of the great man. She argues that the concept of masculinity advocated by the Mencius is derived, although without acknowledgment, from maternal practices and thinking—through processes of appropriation, inversion, and transformation. She illustrates that even though maternal practices and thinking are an invisible dimension of Mencian thought, they are constantly present in the text through their transcoding with agricultural practices and thinking.
Choose an application
Despite the confines of traditional notions of history and gender, Timberlake Wertenbaker uses her history plays to argue that history and gender should be reread to radically challenge these traditional notions. She uses her history plays to construct a new vision. This book discusses seven Timberlake plays from this new perspective of gender, focusing on how gender impacts history, showing the unstable power relations that exist between the sexes.
Choose an application
As narrow, nationalist views of patriotic allegiance have become widespread and are routinely invoked to justify everything from flag-waving triumphalism to xenophobic bigotry, the concept of a nonnationalist patriotism has vanished from public conversation. Taking Liberties is a study of what may be called patriotism without borders: a nonnational form of loyalty compatible with the universal principles and practices of democracy and human rights, respectful of ethnic and cultural diversity, and, overall, open-minded and inclusive. Moving beyond a traditional study of Polish dramatic litera
Polish drama --- Patriotism in literature. --- Gender identity in literature. --- Theater --- History and criticism. --- History. --- Patriotism in literature --- Gender identity in literature --- History and criticism --- History
Choose an application
This book is the first to focus exclusively on issues of gender and sexuality in a range of post-war novels from the Anglophone Caribbean. Concentrating on the 1950s to the mid 1970s, it highlights the period's diversity of sexual concerns. New readings of seminal figures like Samuel Selvon and George Lamming are offered, in tandem with discussion of innovative, lesser-studied authors such as Andrew Salkey, Oscar Dathorne and Rosa Guy. Whereas this body of work has tended to be characterised as minimally engaged with sexuality and overly reliant on patriarchal, heteronormative frameworks, the book takes a different approach. First, it unpacks the motivations behind the masculinist bent of much of this writing, emphasising the anxieties underlying such assertion. It exposes both the gendered and sexual imperatives of the nationalist project and the destabilising effects of migration on masculine performance. Second, it brings to life a range of critically neglected same-sex desires. Framing such longing as both narratively and nationally disruptive, it recovers the marginalised erotic relations that challenge fantasies of national cohesion. As a result, the book opens up existing mappings of Caribbean fiction. Drawing on queer theory, feminism and masculinity studies, it highlights the ways in which sex both exceeds and threatens the imagined unity on which the nationalist vision depends.
Choose an application
So much of great literature centers on explorations of gender, sex, and sexuality. What does it mean to be a proper man or woman; what if one cannot be properly called either? Should one wield one's sexual power politically? What is the relation between law, divine or secular, and sexuality? What does it mean to fail at doing gender? These are just some of the questions that this volume, edited by Margaret Breen, Professor of English and Women's, Gender, and Sexuality Studies at University of Connecticut, examines. Essays will consider a range of texts, including Aristophanes' Lysistrata, Murasaki Shikibu's Tale of Genji, John Milton's Paradise Lost, Tennessee Williams' Cat on a Hot Tin Roof, and Sharon Dennis Wyeth's Tomboy Trouble in light of issues of gender, sex, and sexuality, and their interplay.
Choose an application
Choose an application
Die komparatistische Studie betrachtet den gynozentrischen Roman des 18. Jahrhunderts und den des 19. Jahrhunderts unter gemeinsamen Perspektiven. Zentral steht die Frage nach der Bedeutung der Geschlechtscharakter-Anthropologie für das 19. Jahrhundert. Anhand prominenter Texte der deutschen, englischen und französischen Romanliteratur, die als Verführungsromane weibliche Heldinnen in den Fokus stellen, wird der These einer Kollision von Verstand und Gefühl als spezifisch weibliches Dilemma nachgegangen. Frauen werden dem maßgeblichen Geschlechtscharakterdiskurs zufolge zwar einerseits als emotional definiert, das aktive Ausleben dieser und weiterer ,natürlich weiblicher' Dispositionen bleibt andererseits aber verpönt. Der Vergleich fiktionaler Entwürfe von Weiblichkeit mit normativen Idealen, wie sie zeitgenössische Erziehungsratgeber und Anstandslehren konzipieren, lässt Kontinuitäten und Diskontinuitäten des westeuropäischen Romans in seinen diskursgeschichtlichen Kontexten zutage treten.
European fiction --- Gender identity in literature. --- Heroines in literature. --- Emotions in literature. --- Heroines --- History and criticism.
Listing 1 - 10 of 155 | << page >> |
Sort by
|